Square Sound is an additive synthesis system ideal for rhythmic, melodic, or textural applications. The utility is broad, amplification is ideal.

But has joy gone blind? No; there are primary colors in sound. There are primitives to sound, to the psychological constituents of sound; though there is a one to one correspondence between frequency and the reals, frequency is a property rather than a depiction of palpable tone. In this sense, the algorithm used is structurally formative rather than exhaustively descriptive of the sounds produced.